Two Britneys, Professor?

A chat with Roger Sandilands, Emeritus Professor of Economics, Strathclyde, with a final comment by economist and author Fred Harrison.

SLRG: We describe economic rent as the rent of land and natural resources. This Economics educator tells us economic rent is something Britney Spears gets. https://www.youtube.com/watch?v=0MyRtCG9WS4
Who is right?

Is economic rent something Britney Spears gets (or indeed her predecessor of the 1880s, Britney Speirs)?

Professor Sandilands: The vertical supply curve for Britney Spears is analogous to the fixed supply of Land (including natural resources). When considering a vertical supply curve for fixed Land, this is the normal concept of (land) rent. (And it’s not to be confused with the “rent” I pay when I rent someone’s house or shop or factory. Some of that is rent, the rest is payment for man-made capital and other services.)

Just to confuse us, there are two Britneys.

First there was Britney Speirs. The famous economist Alfred Marshall (who died in 1924 but knew Britney well from Cambridge music halls) referred to her exceptionally high earnings (compared to your average Jo) as “quasi-rent”.

Did she, or does Britney Spears deserve this quasi-rent? Certainly they do if they had to spend years training their voices and working all hours of the day and night to capitalise on their popularity and talent.

But what if they were born with this exceptional – even unique – talent that no-one else can replicate despite thousands paying £50 each to hear them at concerts? Well (a) you could impose an 80% marginal rate of tax and expect them still to perform as much as before and/or (b) you could say, well at least the talent is theirs; it inheres in them and why should we tax them for it, especially if they would then decide to do fewer concerts, or move to a tax haven.

But LAND is different. The rent it (or its owners) can command in the market is a social surplus, and the payments are known as ‘transfer payments’, from renters to owners. Land is fixed in total and in its locations, whether it is used or not. It is therefore passive. The production is done by workers and entrepreneurs and they get paid according to supply and demand that fixes their wages and profits. After they get their makrket wages and profit (interest on use of man-made capital) the residual is what Land can get thanks to its relative scarcity and immobility. If wages and profits (on capital) are taxed the relative cost of labour and capital increases and the residual available to pay rent and/or buy land is reduced.

This is the ATCOR principle. And ATCOR works both ways. Cut taxes and rents increase, and these rents will be captured by land owners – or by government on behalf of us all, under AGR/LVT.) The exceptional income Britney gets is an individual rather than a social surplus; a personal “quasi-rent” that other individuals cannot fully compete away.

SLRG: Is the evolution of Marshall’s ‘quasi-rent’ into ‘economic rent’ by Neo-classical economists documented then Roger? If the story follows the pattern revealed in The Corruption of Economics, then there will have been some academic who saw a way to press the idea into serving the interests of rent-seekers by ‘developing’ it in some 1930s paper or book?

Professor Sandilands: I’m afraid that I can’t improve on The Corruption of Economics for the literature on the evolution of the classical to the neo-classical view of rent, and its baneful influence. However, Britney Speirs wrote a long lost, unpublished manuscript on the subject in 1897 that I found in my attic last week!  

My beef with the Marshallian neo-classical marginalist revolution is that it introduced the ‘opportunity cost’ notion to undermine the notion that rent is a surplus over the zero labour cost of production of land qua land.

In classical (Smith, Ricardo) economics, the price or rent of land is what the market will bear for an asset that is fixed in supply and location. Demand interacts with the site’s fixed supply. The price is effectively a monopoly price because supply cannot be increased to drive down the price to the zero cost of production. In this it almost unique (Britney Speirs excepted). Contrast the supply of face masks, or ventilators.

The amenities surrounding a site (transport links, schools, shops, cinemas, stadia, etc etc) had huge labour costs over time, but not the site itself. Those amenities (plus natural features, such as load-bearing capacity, climate, gradient etc) determine its attractiveness to potential buyers or tenants. But the site itself has always been there and always will be, no matter what is put on it or how it is used. To repeat, rent in the classical labour theory of value, is a pure surplus over the zero labour cost of the site itself. [Labour costs are both the direct and indirect labour costs of the man-made capital involved.]

Now consider the neoclassical approach to rent as an opportunity-cost theory of value.

To illustrate, suppose the Duke of Westminster rents out a block on Oxford Street for development as a cinema (its best potential use) and it fetches an annual rent of £2m.

But, say the Marshallians, its next best use would have been as a department store and the highest rent potential would then have been, say £1.9m a year. So its “transfer earnings”, based on opportunity cost, is only £100k. Classical rent has been spirited away by 90%.

To the individual, rent is indeed a cost, and the neo-classical approach is relevant. But socially, rent is not a real cost. It is just a transfer payment. Its real cost is zero, but its demand is what the market will bear, given surrounding amenities or natural advantages.

Annual Ground Rent as state revenue please!

SLRG: Anything to add, Fred Harrison?

Fred Harrison: What you need to bear in mind is this. The original theorists did not want people to focus on “land” as a special category. So the way to remove the unique qualities of the services provided by nature was to argue as they do in that video – namely, that Pavarotti’s “wage” is set by the wage that can be commanded by the barber of Seville; and the sum above that level is “economic rent”. The logic: Pavarotti would sing for his living, anyway, even if he was only paid the wage of the singing barber…so the rest could be taxed away without inhibiting him from singing in the opera theatre!

It’s intellectual dishonesty/gymnastics designed to befuzzle folk, and distract away from the optimum strategy for raising revenue (AGR).

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